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​​(Studio) Stage Rabbit is a practice dedicated to exploring and disseminating gestures of and at encounters—human, hybrid, and multi-species; belonging and disconnection across cultures, cities, ideologies, and diasporas; and expressions of sex, sexuality, and their constructed spatialities. It is also a practice in cultural production and curation born out of negotiations between philosophy, education, organisational cultures, exhibitionism, and cognition. Initiated in 2018 by Aishwarya Kumar, Stage Rabbit has been evolving its conditions, grounds, and what it offers since 2024 by developing an exchange between Europe and South Asia. 

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Suruchi Pawar

Suruchi works at the intersections of strategy, curation, and artistic research across performance and visual arts. Her practice engages with context-responsive, artist-led, and research-driven frameworks, navigating institutional structures, access to resources, and transnational collaborations with critical attention to power and relational ethics.

Over fourteen years, she has developed work spanning strategic consulting, artist development, curatorial collaboration, organisational systems design, funding and grant strategy, and research. She collaborates with independent artists, collectives, and cultural organisations, interrogating how modes of support and production shape practice and imagining ways of working beyond extractive models.

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Since 2024, she has collaborated with Stage Rabbit, supporting diasporic performance practices and helping reimagine the ecology of cultural production.

Aishwarya Kumar | Website

Kumar engages in systems that examine and order the world – from form to entanglements –through performance. Her research and practice intersect corporeal literacies, neuroscience, somatics, political philosophy, movement and visual arts with disciplinary rigour of training and architectural structures, seeking to produce tensions for non-modes of learning and perception. Over the years, she has produced work ranging from research papers, writing, editorials, performances, mixed media installations, paintings and media art, publications, and community-centred projects across Mumbai, Bangalore, Goa, London, Fort Kochi, Greece, Goa, Utrecht, Lake Constance, Lake Como, Torun, and Lisbon, operating transnationally.

To construct experiences for new ways of perception, she regularly undergoes intensive practices that demand repetition, such as bodywork, diving, academia, physical theatre, and more, which allow her to explore through the body. All of which feed her examination of how bodies and the hideousness of movement produce meaning, counter-normative spaces, relations, cultures, and knowledge. She is currently a doctoral candidate in Cognitive Culture Studies at Universidade Católica Portuguesa and on the advisory board of SPHERE.

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